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If we have any chance of fighting global warming, we can do so through plants. We need to cover every part of our cities with plants—not just along avenues or in parks, but everywhere.

We should imagine cities completely covered in vegetation, perhaps removing some of the roads. Roads account for 40% of the surface area of our cities. There are too many of them.

It’s not only about removing some roads and replacing them with plants. Education is also essential: showing how plants work and what they are capable of, from the earliest years of childhood, would be crucial. Fundamental.

Stefano Mancuso, plant neurobiologist

BACKGROUND​

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Environmental protection and the fight against global warming are not merely part of Nightswim’s corporate strategy; above all, they reflect the deep convictions of its founders, Ines Vasiljević and Stefan Sardo—convictions shaped by their education, sensitivity, and family backgrounds. Ines began developing her first environmental protection projects while still in high school. In 2009, together with a group of friends, she founded the non-governmental organisation Kinookus (Cinegusto) in Dubrovnik, Croatia. The organisation soon evolved into a movement inspired by the principles of Slow Food. The following year, in the town of Ston in southern Croatia, she launched the organisation’s eponymous food film festival. Conceived as a multidisciplinary platform, the festival explored the consequences of industrial food production and global warming while promoting new cultural, social and economic models. The festival went on to reach its tenth edition and inspired a series of local, national and European initiatives aimed at preserving food, cultural and natural heritage.

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Stefan Sardo is, quite literally, a child of Slow Food: his parents helped found the movement, and his father later became director of the Slow Food Foundation for Biodiversity. The ideas of the world’s largest movement dedicated to preserving biodiversity and traditional food products are deeply embedded in most of Stefan’s projects—sometimes as central themes, sometimes as passing thoughts expressed by characters in his screenplays.

It was their collaboration on the documentary Slow Food Story that marked the beginning of a long and fruitful exchange of ideas between the Yugoslav producer and the Italian screenwriter and director. It is therefore only natural that ecological principles are woven into the foundations of Nightswim—not only as the basis for an ethical and sustainable business, but also as a laboratory in which we test the applicability of the ideas with which we hope to inspire the entire industry.

We apply our sustainability and environmental protection policy both in our daily office work and on the sets of our films, music videos and television series.

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Everyday Sustainability

In our daily work, we apply ecological standards to transport, waste, energy and food.

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Transport

All our employees commute by public transport, bicycle or on foot. When selecting new collaborators, we give priority to those who can reach the workplace from home in the same ways.

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Waste

At Nightswim’s offices, we follow the separate-waste-collection policy prescribed by the Municipality of Rome. We also strive to minimise the use of plastic by ordering water in glass bottles and using coffee beans rather than plastic pods.

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Energy

All the light bulbs in our offices are energy-efficient LEDs. To reduce energy consumption for cooling in summer and heating in winter, we have introduced remote working on Mondays and Fridays.

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Food

Inspired by the ideas of Slow Food, we see food as an expression of local culture and lifestyle. We are particularly attentive to how food is produced and distributed; we therefore choose locally grown, ecologically produced food, which we prepare in our small kitchen.

Sharing a meal is an important part of our company culture: it expresses conviviality, the pleasure of food and a sense of community. It also gives employees an opportunity to get to know one another better and discuss subjects not necessarily related to work.

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Sustainability on Set

On our sets, we follow the green protocol of Trentino Film Commission, to whose improvement we have actively contributed. We support the introduction of a single European green protocol for the audiovisual industry. This protocol should be flexible and take into account the differences between filming in cities and in uninhabited areas.

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Tree Cinema

We believe that the film industry, with its considerable financial and communicative potential, can do much more to promote sustainability and mitigate the climate crisis. The film industry cannot think about the planet only while filming.

For this reason, we launched a project to create Miyawaki-method urban microforests in the places where films have been shot. Our initiative, called Tree Cinema, aims to involve all production companies in Italy and to change the paradigm of greenhouse-gas emissions offsetting.

Until now, offsetting has generally involved purchasing international credits to finance reforestation and environmental-protection projects around the world. We believe that film productions should leave something tangible in the territories where they have worked and filmed.

In this way, citizens, partners and film audiences can see what a specific production has done for the environment, while the benefits of each microforest can be enjoyed by the residents of the neighbourhood where it was created.

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Ines Vasiljević

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Producer e CEO

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Stefano Sardo

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Creative producer

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SEND US YOUR IDEA

Nightswim only accepts film and TV series projects. We only evaluate concepts of 3 pages (6000 characters) with the status of development. Send your projects to

sviluppo@nightswim.it

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